Tag Archive for: Trademark

Setting Up a Band Agreement

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A band agreement is essential if you want to avoid messy arguments and breakups down the road. Unfortunately, it’s also one of the main things a lot of musicians and bands skip when they are just starting out. It’s easy to get caught up in the excitement of a new band and a new creative endeavor and sometimes the boring legal stuff can be overlooked. But if you want that awesome new creative group to stand up to the test of time, a band agreement is your best friend. Band agreements aren’t just for breakups. They also help you avoid disagreements and arguments that could potentially rip the band apart. If you set out who will get what percentage of the money at the start there won’t be any arguments about it once the money starts coming in.

This article is by Wallace E.J. Collins, a copyright and intellectual property attorney. The article was originally posted on Hypebot. This is only an excerpt, so I highly recommend heading over there to read the full article.

A typical band contract will address certain fundamental group issues. One important issue is who owns the group name if one member leaves or if a group dissolves which group of members are entitled to use the name. Under partnership law the partners would be the joint owners of the name and any member would probably be permitted to use the name (or maybe no members would be allowed to use the name once the partnership is deemed dissolved). Trademark rights are determined based on the “use” of a mark (not on who thought of the name) so each of the members of the group would be an equal co-owner of the group name under trademark law. The end result under either partnership law or trademark law might be impractical.

In most cases, the band agreement will state that if a particular founding member was the creator of the group name then only a group comprised of that member and at least one other member can use the name. This will apply whether one other member leaves or if the group disbands and only the founding member and one other reform the group. There are as many different ways this provision can be drafted as there are different group names. When a group member leaves, the remaining members are going to want to keep the group name and are not going to want the leaving member to dilute its value or confuse the public by using it in any way. The band agreement provision may say that a leaving member cannot use the name at all or that the leaving member can only mention that he was “formerly” a member of the group (provided that such credit is printed smaller than the member’s name or his new group’s name, etc.).

The band agreement will need to contain provisions regarding the sharing of profits and losses. One provision may pertain to revenues earned during the term while each member is in the group and another may pertain after the departure of a member or the demise of the group. In most cases, a group just starting out will have a provision that all profits from the group are shared equally between all members with an exclusion for songwriting monies (which each of the respective songwriter members would keep for themselves). Where an established group adds new members the provision may provide that a new member gets a smaller percentage than the founding members.

However, in most cases, during the term there is not a problem determining appropriate revenue shares. The more complicated problem of revenue division arises after a member departs. The agreement may provide that the leaving member is entitled to his full partnership share of profits earned during his tenure but a reduced percentage (or no percentage) of profits derived from activities after his departure – or the agreement may provide for a reduced percentage for a short period of time after departure (e.g., 90 days) and then nothing thereafter. This is an easier issue to remedy as it relates to live performances and sales of merchandise during those performances than it is as it relates to record royalties. The group needs to determine what happens, for example, when a group member performs on 3 albums but leaves before the fourth album is recorded. Although it might be acceptable to refuse to pay the leaving member any royalties on the fourth and future albums recorded by the group under the record contract the leaving member signed as part of the group, it might not be fair to refuse to pay that leaving member his share of royalties from the 3 albums that he did record with the band. Of course, this might vary in the agreement depending on whether the leaving member quit or was fired.

Do you have a band agreement? 

We discuss band agreements and more in the New Artist Model online courses. The New Artist Model is an online music business school for independent musicians, performers, recording artists, producers, managers and songwriters. Our classes teach essential music business and marketing skills that will take you from creativity to commerce while maximizing your chances for success. Get 5 free lessons from the New Artist Model online courses when you sign up for our mailing list.

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Trademark Law: An Overview for the Musician

Your band name is one of the most important assets you have. It’s how fans identify you, it represents you and your music, and for some bands, like the Rolling Stones or Black Flag, it can become an iconic symbol representing a genre, attitude, or era. With the market saturated with small amateur bands, the likelihood that another shares your same name is increasing.

This interview with James Trigg and Ashford Tucker, lawyers specializing in copyright and trademark law, explains the importance of a unique trademark, the steps necessary to secure ownership of a trademark, and domain names.

A trademark serves to identify the source of goods or services. When we see marks like COCA-COLA, MICROSOFT, BUDWEISER and BMW, we instantly associate them with the products sold in conjunction with them, and we rely on these names to assist us in distinguishing one product or service from another. Thus, generally, trademark law seeks to prevent consumer confusion by allowing trademark owners to control the use of their marks so that consumers can rely on a trademark as an indication of a product or service’s unique characteristics.

The law of trademarks applies to the fields of music, film, literature and art just as readily as it does to soda, software, beer and cars. Of course, most of us do not like to think of the arts as a “commodity,” something that merely is bought and sold. Similarly,artists themselves at times may be reluctant to view their names or their creations as commercial trademarks that identify them to the public in exactly the same way that BUDWEISER identifies Anheuser-Busch.   Nonetheless, by taking steps to protect their names, entertainers and artists can assume greater control of their identities and the way that those identities are perceived by the public.

To read the full interview, and learn more about trademark law and how it applies to your band and career, visit Digital Music News.

 

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